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De-extinction: Important conservation measure or human vanity project?

  • August 17, 2022

You might have heard of the project to bring the woolly mammoth back from extinction. In 2021, the Texas-based biotechnology companyColossal announced their plans to use genetic engineering to recreate the animal and return it to the Arctic tundra, its original natural habitat.

Mammoths aren’t the only de-extinction target of Colossal — they recently teamed up with scientists in Australia for the plan to bring back the Tasmanian tiger, also known as the thylacine. The marsupial went extinct in the 1930s and was native to the island of Tasmania, where it had lived for around 2 million years.

The Tasmanian tiger projectis funded by a $5 million (€4.9 million) gift from philanthropists, who had been impressed by the scientists’ success in sequencing the genome of a museum specimen. The scientists will work with stem cells taken from the closest related living species, the fat-tailed dunnart, which they plan to convert to those of a Tasmanian Tiger by using gene editing technologies. If the conversion works, the stem cells can then be made into an embryo, which can either be grown in a lab or transferred to a surrogate dunnart mother.

A pair of Tasmanian tigers that lived at the US National Zoological Park in Washington DC from 1902 to 1905. The species went extinct in the 1930s.

Scientists hope that establishing populations of animals like the Tasmanian tiger and woolly mammoth canhelp rebuild biodiversity.

De-extinction candidates

Colossal is not the only organization attempting to bring species back from extinction. Scientists have been trying to bring back a range of extinct species after rapid advancements in cloning and stem-cell technologies.

Target species include the Aurochs, the ox-like animal depicted in the Lascaux cave paintings.

  • Lascaux cave paintings in France were discovered 80 years ago

    Lascaux cave discovered in 1940

    Lascaux is in southwest France. In September 1940, four teenagers discovered the cave — actually a series of connecting chambers — containing ancient Upper Paleolithic art. To protect the drawings, the cave was closed to visitors in 1963. In 1983, a partial copy of the cave was opened. However, it was located too close to the original, so a new, complete copy was built further from the real cave.

  • Lascaux cave paintings in France were discovered 80 years ago

    Strikingly realistic

    This red cow is among the 1,963 drawings dating back 20,000 years that were found in the Lascaux cave. The pigment has faded over the millennia. According to experts, the original and copy are indistinguishable from each other.

  • Lascaux cave paintings in France were discovered 80 years ago

    The Chinese horse

    The cave artists used mineral-based pigments, which is why researchers cannot precisely pinpoint when the art originated. They based their estimate on other objects found in the cave, like spearheads made of bones and horns that were decorated with symbols similar to those found on the walls.

  • Lascaux cave paintings in France were discovered 80 years ago

    The Lascaux workshop

    The replica exhibition, located in an international center for cave art called Lascaux 4, includes information for visitors. After viewing the complete replica, individual paintings are displayed at eye-level in a section called the Lascaux workshop. What do the numbers mean? Lascaux I is the original cave, Lascaux 2 is the first reproduction, and Lascaux 3 is a traveling exhibition.

  • Lascaux cave paintings in France were discovered 80 years ago

    Overlapping paintings

    Many generations of artists were at work in the cave, and paintings and engravings were created on top of older ones, which is difficult for non-experts to make out. In the Lascaux workshop, individual artworks are projected onto a screen in chronological order. A herd of horses is hidden beneath the large cow and upon closer inspection, a three-sided emblem becomes visible.

  • Lascaux cave paintings in France were discovered 80 years ago

    Details spring to life

    Wild horses gallop across the wall, jumping, frolicking and mating. But in the cave, they are covered up by a large black cow. In the pedagogical portion of the Lascaux 4 center, the various layers of paintings are separated and the details made visible thanks to modern technology.

  • Lascaux cave paintings in France were discovered 80 years ago

    Cave was a haven, not a home

    Archaeologist Jean-Pierre Chadelle is one of the experts who has worked in the Lascaux cave. People never lived in the original cave, he said, because no trash or remains of fires have been found there. It’s possible that the cave was used as a refuge from snow storms. The artworks originated during the Ice Age, when the Alpine glaciers extended to what is now the city of Lyon.

  • Lascaux cave paintings in France were discovered 80 years ago

    International Center for Cave Art

    The long gray structure right next to the replicated Lascaux cave, which blends right into the surroundings, was designed by the Norwegian architecture firm Snohetta. A path leads from the flat roof to the hidden entrance of the cave replica, which is located eight meters (26 feet) underground.

  • Lascaux cave paintings in France were discovered 80 years ago

    Tracing art then and now

    After visiting Lascaux, Picasso is rumored to have said, “We’ve learned nothing since then!” In the center, the “Galerie de l’imaginaire,” or imagination gallery, shows how cave paintings are connected to modern and contemporary art. In this interactive digital gallery, visitors can build their own exhibition with old and new works of art.

    Author: Bettina Kaps (kbm)


In fact, scientists have already brought back an animal from being extinct — but the success was short-lived. In 2003, cloning projects brought back the Pyrenean ibex, making it the first and only animal to successfully make it through the de-extinction process past birth. However, it only lived for seven minutes before succumbing to a lung defect, making it the only species in history to go extinct twice.

The most promising de-extinction candidate is the passenger pigeon. Ongoing work from the non-profit organization Revive and Restore is creating a hybrid between the extinct passenger pigeon and its closest living relative, the band-tailed pigeon. The hybrid animal is expected to be ready in 2024 and released into the wild in North America in 2030.

De-extinction or conservation?

While de-extinction has been promoted as a visionary output of scientist advancements, experts also questionwhether de-extinction is a good idea. It’s hard to ignore that de-extinction projects are driven in part by human guilt for having caused many of these species to die out in the first place.

Conservationists point out that resources could be better spent conserving species currently alive at a time when more than 1 million species are at risk of going extinct, the majority due to human civilization.

“Any sober look at the situation and you see that huge amounts of money are being diverted away from conservation programs,” Faysal Bibi, a paleontologist at the Museum of Natural History in Berlin, told DW.

Bibi also highlighted real concerns about the sustainability of de-extinction.

“If we did manage to bring back mammoths, how much conservation work would be needed to make these animals survive in the wild? It would surely divert attention away from conservation and rewilding efforts of other animals like wolves or bears,” said Bibi.

There is hope, however, that de-extinction projects like those from Colossal might build support for conservation efforts for animals that still live on our planet.

“De-extinction is part of human ingenuity and curiosity to push boundaries, and this should be celebrated. It might also hold some political selling power for conservation. De-extinction has pros and cons, and we need a certain amount of healthy skepticism,” Bibi said.

De-extinction technologies can help conservation projects

One of the benefits of de-extinction is that technologies for bringing back animals that died out are also being used in conservation projects to boost the numbers of critically endangered animals. High priority species include the northern white rhinoceros, of which there areonly two individuals left.

In 2020, the first clone of the Przewalski’s horse was born at San Diego Zoo. The species is extinct in the wild and the 2,000 remaining individuals in zoos and reserves descend from only 12 wild ancestors. Such restricted breeding means the species is at risk of low genetic diversity, harming the chances of survival if rewilded.

Around 2000 Przewalski Horses live in captivity, but none remain in the wild.

Parts of the clone’s DNA are from frozen samples of a wild Przewalski’s horse stallion. The were fused with an egg from a female domestic horse.

“Now, the [de-extinction process] is contributing to reversing losses of genetic diversity and contributing to population sustainability,” Oliver Ryder, director of genetics at the San Diego Zoo Global, said in a statement.

The hope is that biotechnologies like these can be used as one initiative alongside major social and political conservation programs to save more species from going extinct. 

Edited by: Carla Bleiker

Article source: https://www.dw.com/en/de-extinction-important-conservation-measure-or-human-vanity-project/a-62838640?maca=en-rss-en-all-1573-rdf

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